size: 251 x 310 mm
hardcover
96 pages
美国艺术家梅尔博克纳（Mel Bochner）的作品集，他是1960年代至70年代在纽约发展起来的后极简主义艺术和概念艺术的核心人物。 他是视觉语言的先驱，他探索视觉与语言之间的关系，以引起人们对支持我们与世界视觉互动的隐性规则的关注。
本作品以彩色刊载了30件以上未发表的新作，从新的视角介绍了作者在其职业生涯中不断创作的以语言为题材的作品和绘画。 评论家杰里米·西格勒（Jeremy Sigler）在他熟悉的文章中指出，作者最近的作品表现出一种非理性的物质性回归，并揭示了绘画的一个令人意外的根源。
Mel Bochner（1940年b.）是作为一个领导的资料在发展概念 art in New York in the 1960s and 1970s. He pioneered the introduction of the use of language in the 日本, probing the way they relate to one ther to make us more attentive to the unspoken codes that underpin our visual engagement with the world。
Featuring color plates of more than thirty new, previously unpublished paintings， and accompanied by Jeremy Sigler， this handsome publication offers a new perspective on Mel Bochner’s career-long engagement with 语言和绘画。Sigler points to how Bochner’s newest images poignantly signal a return to visceral materiality, revealing the unexpected painterly roots of his body of work。
by Mel Bochner
本作品以彩色刊载了30件以上未发表的新作，从新的视角介绍了作者在其职业生涯中不断创作的以语言为题材的作品和绘画。 评论家杰里米·西格勒（Jeremy Sigler）在他熟悉的文章中指出，作者最近的作品表现出一种非理性的物质性回归，并揭示了绘画的一个令人意外的根源。
Mel Bochner（1940年b.）是作为一个领导的资料在发展概念 art in New York in the 1960s and 1970s. He pioneered the introduction of the use of language in the 日本, probing the way they relate to one ther to make us more attentive to the unspoken codes that underpin our visual engagement with the world。
Featuring color plates of more than thirty new, previously unpublished paintings， and accompanied by Jeremy Sigler， this handsome publication offers a new perspective on Mel Bochner’s career-long engagement with 语言和绘画。Sigler points to how Bochner’s newest images poignantly signal a return to visceral materiality, revealing the unexpected painterly roots of his body of work。
by Mel Bochner