WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki
WHAT WE LEAVE BEHIND by Stéphan Crasneanscki

WHAT WE LEAVE BEHIND by Stéphan Crasneanscki

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尺寸:200x 260mm

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216頁

法國藝術家Stephan Crasneanscki的作品集。應德國廣播文化廣播的要求,我重新考慮了重要的作品“我們留下的東西”,這也基於法國電影導演讓·盧克·戈達德(Jean-Luc Godard)的檔案。它由四個部分組成:盒子,拼貼,靜物和備忘錄。在探索電影大師Godal的檔案時,作者拍攝了短片,開放式捲軸以及Godal個人收集的歷史效果。備忘錄和參考資料,使您覺得時代被總結以防止它們消散,並且您可以瞥見Godal的藝術思維過程。在面對人類財產和文化遺產的同時,作者有多種概念,例如身份,可追溯性,時間和空間的擴展,記憶,存在,物質和歷史本質。表達自己的讚美和添加自我解釋。音樂家,作家和詩人帕蒂·史密斯(Patti Smith)的介紹,與電影導演亞伯·費拉拉(Abel Ferrara),電影評論家,歷史學家,編輯安托萬·德·貝克(Antoine de Baecque)的對話。

藝術家的另一部作品StéphanCrasneanscki的相遇

*在這裡,由於運輸,可以看到一些划痕和污垢。

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