color:INDIGO NAVY
Size: M
Shoulder width 61cm
Length 62cm
Width 61cm
Sleeve length 53cm
Size: L
Shoulder width 63cm
Length 65cm
Width 64cm
Sleeve length 55cm
Material: Cotton 94%, PolyureThane 6%
Another Fabric: 100% Cotton
Wearing model 173cm 55kg (Size: 2 worn)
"SASQUATCHFABRIX." Focuses on the artist "Kenji Suzuki", the artist "Kenji Suzuki", the artist "Kenji Suzuki" in order to ask about how modern work should be. With the cooperation of "Niwanbo", we made clothes using prints.
The artist "Kenji Suzuki" has run through the difficult era of Showa, as a printman, a sculptor, and as a cartoonist. He turned his gaze to people living in rural areas and the workers in the city, sought peace, stood on the side of the people who live hard, and continued to draw their lives.
【SasquatchFabrix.】
"High PERFORMANCE VANDALISM. Always Presenting a Sense of Freshness"
Fashion is a strong reflection of the people of the times, and I think it should be.
It must always be avant -garde.
In order to express our "fashion", we set a strong theme for that era, and
We repeat the avant -garde and "playful" clothes while repeating classical affirmation and denial.
[Kenji Suzuki]
Kenji Suzuki (1906-1987), who drew the people of Ichii lively, rushed through the difficult era of printmakers, sculptors, and manga artists. The good and avant -garde modeling shows a presence in modern art history.
Kenji Suzuki, who was born in Tochigi -cho, Shimotoshiga -gun, Tochigi Prefecture (now Tochigi -shi) and later performed a post -war print movement in the Kita -Kanto Kanto, entered the sculpture department of Tokyo Art School (currently Tokyo University of the Arts) in 1925. I was enthusiastic about the proletarian art movement and showed a talent that excels in human expression in manga and sketches.
After returning to Tochigi at the end of 1932, he has been active as a sculptor, and eventually became a member of the Third Society, and has been trying to challenge various fields, such as crafts and etching production.
After World War II, he produced a lot of woodcuts involved in social movements, and worked not only in Japan, but also in China and the former Soviet Union. With the strong print prints, we sought peace and continued to stand on the side of the people who lived hard.
He is an artist who is sometimes tossed by the waves of the times, has a warm look at the people living in rural areas and the city's workers for a lifetime, and has been compassionate and compassionate.
* Excerpt from Tochigi Prefectural Museum of Art "Kenji Suzuki"