Size: 251x 310mm
Hardcover
96 Pages
A collection of works by Mel Bochner, an American artist, an American artist who has developed in New York in New York from the 1960s and 1970s. He was a pioneer in the visual language, and explored the relationship between visuals and language to pay attention to the implicit rules that support the visual relationship between us and the world.
This work, which publishes more than 30 unpublished new works in color, introduces the work and paintings based on the language that the author has been making through his career from a new perspective. Critics Jeremy Sigler pointed out that in the learned essays, the recent work of the author has shown a regression to unreasonable materiality, unraveling the surprising roots of paintings.
Mel Bochner (B. 1940) is Recognized as OF The Leading Figures in The Development of Conceptual Art in New York in the 1960S and 1970S. He Pioneered The INTRODUCTION OF THE LANGUAGE in THE VISUAL, PROBING THE THEY RELATE TO ONE Another To Make Us More Attentive to the UNSPOKEN CODEN CODES THAT UNDERPIN OUR VISUAL ENGAGEMENT WITH TO WORLD.
Featuring Color Plates of More THIRTY NEW, PREVIOUSLY Unpublished Paintings, and Accompanied by An Essay By Jeremy Sigler, This Handsome Publicat Ion Offers A New Perspective on Mel Bochner's'S Career-LongageMent with Language And Painting. Sigler Points To How Bochner's Newest Images Poignantly Sig NAL a Return to Visceral Materiality, Reveling The Unexpected Paintedly Roots of His Body of Work.
by Mel Bochner
This work, which publishes more than 30 unpublished new works in color, introduces the work and paintings based on the language that the author has been making through his career from a new perspective. Critics Jeremy Sigler pointed out that in the learned essays, the recent work of the author has shown a regression to unreasonable materiality, unraveling the surprising roots of paintings.
Mel Bochner (B. 1940) is Recognized as OF The Leading Figures in The Development of Conceptual Art in New York in the 1960S and 1970S. He Pioneered The INTRODUCTION OF THE LANGUAGE in THE VISUAL, PROBING THE THEY RELATE TO ONE Another To Make Us More Attentive to the UNSPOKEN CODEN CODES THAT UNDERPIN OUR VISUAL ENGAGEMENT WITH TO WORLD.
Featuring Color Plates of More THIRTY NEW, PREVIOUSLY Unpublished Paintings, and Accompanied by An Essay By Jeremy Sigler, This Handsome Publicat Ion Offers A New Perspective on Mel Bochner's'S Career-LongageMent with Language And Painting. Sigler Points To How Bochner's Newest Images Poignantly Sig NAL a Return to Visceral Materiality, Reveling The Unexpected Paintedly Roots of His Body of Work.
by Mel Bochner